Charles Edward Ives.
Mike: Wow. I just happened to take a few minutes to play through a
couple of Easy Pieces in my Twentieth Century Piano Book - and I
chose first Lento from 'The Five Fingers' by Igor Stravinsky and then
Vivo - also from 'The Five Fingers by Stravinsky.
Then I thought - maybe there are Others.
And then I saw It.
THE ATCOTTS from Charles Ives Second (Concord) Piano Sonata.
Now - Mike - I've never given a thought to Charles Ives before today - but
I've heard his name.
Here is what got my attention:
NO TIME SIGNATURE
You know what that means - Mike.
When I really have a chance to explore this Piece from Ives Second Piano
Sonata - there will be no restriction on me - as far as the Time goes.
Sure I know that I'll have to follow Other rules that Charles Ives has set
down here:
~note values
~dynamic markings
~the simple suggestions he gives (in English) to help me get through this:
@ moderately
$ faster
% in a gradually excited way
& l.h. (crossover)
* accel.
# slower
^ faster but lightly
+ slower and quietly
= hold back a little
` a little faster
! ten.
o a tempo
( gradually more animated
)Maestoso
\ piu rall.
| dim.e rit.
" slower
] go for it (that one is Mine)
You see Mike - Charles Ives is the Key to a Better World - one into which
I intend to Enter - but really it's all about the Timing.
Am I excited?
You Bet I Am.
Why I feel just like Ed Bloom (the younger) when he realizes That
Although The Big Fish Had Been There In Front of Him All Along -
He Just Knew That All He Had To Do Is Reel It In - but carefully so
that it doesn't slip off of the hook...
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